Animated tim burton movies8/30/2023 ![]() The Oscar-winning design of Burton’s film created a Gotham where the characters ( with exceptions) went around wearing the fashions of the 1940s and driving the cars of the 1980s, in a city of deliberately clashing architectural styles scaled up and crammed together to cut off sunlight. “The opportunity to bring some influence into animation that could at least be in line with what Tim Burton’s movie was, was just unique,” he said, “and that’s kind of why my direction came out the way that it did in the very beginning.” A major part of that “direction” was settling on the look for Gotham City. ![]() Radomski has acknowledged a direct inspiration from Burton’s work. The influence of the ’89 Batman couldn’t be avoided even if Timm and Radomski had wanted to. was already developing a sequel film with Tim Burton (though it took a while to get him committed to directing it). ![]() After seeing them, MacCurdy declared, “ that’s perfect!” and put Radomski and Timm – who barely knew one another and had never acted as showrunners before – in charge of developing the Batman cartoon.īatmania was still in vogue in 1990, and Warner Bros. Independently, they prepared sample art, background paintings from Radomski and character designs from Timm. Timm, a self-confessed “lifelong comic book fan,” may have had a more muted opinion of the film, but he has said he “ still enjoy what Burton did.” And when Warners executive Jean MacCurdy announced in 1990 that the studio was preparing a Batman animated series for the Fox network and began soliciting interest, Timm and Radomski jumped at the chance. Dini recounted his impressions for the DVD release of Batman years later: “Wow, that looks great! Nicholson looks phenomenal and scary, and the suit looks good, and the darkness and the world…this rocks!” For Radomski, it was his gateway drug into the Batman mythos he had little knowledge or interest in the character beforehand, but he loved the movie. Radomski, Timm, and Dini all enjoyed Burton’s Batman. Superheroes as a broad category were fodder for gags, but Burton’s film saw its designs, casting choices, and relentless marketing campaign spoofed over the years, culminating in an episode where Plucky Duck tries to convince Tim Burton to cast him as Batman in a sequel. The latter show loved its pop culture references and parodies, and Batman came in for its fair share. Animation as background painter, storyboard artist, and writer, respectively, for Tiny Toon Adventures. Burnett was a seasoned television writer working for Disney animation, while Radomski, Timm, and Dini were at Warner Bros. ![]() None of them were in a position to pitch an animated Batman series in 1989. The DCAU is sometimes referred to as the “Timmverse,” but Batman: TAS was a co-creation of Timm’s and Eric Radomski, with vital contributions by writer/producers Alan Burnett and Paul Dini. But not every one of those links was a voluntary or welcome choice, and as TAS grew into a larger DC Animated Universe, even the deliberate ones would grow more and more distant. ![]() Timm and his collaborators have never denied their debt to Tim Burton’s take on Batman, and there are undeniable links between his films and TAS. ![]()
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